Adobe
Adobe’s APPE 7 expands to support seven colours
The latest version of the PDF print engine is heading in a packaging direction with
12 May 2025
The latest version of the PDF print engine is heading in a packaging direction with
Heidelberg is promoting a new screening technology that improves print quality which reducing costs. Can
Kai Lankinen is probably the most notable expert of extended colour gamut. Gareth Ward spoke
Many in the the industry believe that the time is coming for extended colour gamut printing. It was a subject on everyone’s lips at Drupa because of the measurable benefits of using a fixed palette of seven colours, rather than spot colours, can deliver for printers. Four-colour printing has been around for so long that […]
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Screen has acquired one of its key software partners as it targets opportunities in digitally
Nothing in print works without some code to tell it what to do. Here is an array of instructions that might just solve that recurring problem. There are two Hall 7s, compensating for the loss of Hall 2 perhaps. Both are dedicated to software and by Drupa standards are relatively small and compact. Hall 7A […]
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Drupa this year gives Fujifilm the opportunity to show a full range of digital print products that are competitive in every sector of the market. His message is simple and direct: “Anybody coming to Drupa has to visit our stand,” says Andy Kent, general manager, Fujifilm UK’s graphic communications division. “Wherever they are coming from […]
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The growth of textile printing and decor print thanks to inkjet has revealed a need
An unobtrusive device has the potential to change life for many printers. There are none of the flashing lights or even a large monitor that might signify its importance. Instead it has an input tray, output tray and a standard PC. This is the Ricoh Automatic Colour Adjustor, a high speed scanning spectrophotometer that collapses […]
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The Ricoh Auto Colour Adjuster promises to ease the pain of creating colour profiles, so
Dutch company will enable closer matches between printers, inks and substrates to reduce waste in
Pantone and Adobe have fallen out in a spectacular way, one that is resulting in higher charges for brands,designers and printers. The search is on for a new and more accurate way of specifying colour for print. Pantone’s (or was it Adobe’s?) decision to remove its colour library from the Creative Cloud suite of applications […]
PantoneLive is based on the CxF description, but its implementation, like that of the similarly
With Pantone seeking subscription payments from Adobe users, the search is on for a more
Global Graphics has developed a colour management tool which will automatically load profiles for the
The expanding software and workflow group has acquired the German company, a specialist in high
Potts Print (UK) has specified a six-colour Roland 700 Evolution as the machine to cope with commercial and carton work for the Cramlington print business. Potts Print (UK) is proof that it is possible to print for both commercial customers and for carton customers – and come to that for large format customers – from […]
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Operating the BPIF’s colour quality standard is tough, but delivers a measurable ROI and with
At Drupa 2012 GMG Color stated that 25% of a large format printer’s costs was
Williams Lea Tag is harnessing the power of the cloud to manage colour across different